9 September 2024

On September 5th, the renowned violist Yuri Bashmet and the ensemble “Soloists of Moscow” inaugurated the 'Days of Spiritual Culture of Russia' at the Linder Auditorium, University of the Witwatersrand in Johannesburg, South Africa. This event, part of the larger Russian Seasons initiative, showcases the rich cultural heritage of Russia and coincides with South Africa's Heritage Month celebrations, a period dedicated to honouring the diversity and vibrancy of South African culture.

At a press briefing prior to the performance, Bashmet emphasized the unifying power of music, noting its ability to foster deeper understanding and connections among people. He highlighted the success of the Summer Festival in Russia, where musicians from across the BRICS nations, including South Africa, participated in a rich cultural exchange. Bashmet also shared a personal anecdote from his recent safari adventure, recalling a playful moment when a giraffe curiously poked its head into his vehicle - a highlight of his South African experience and the joy of cultural and natural exploration.

(Video credit: TDS)

Ambassador Ilya Rogachev of Russia to South Africa expressed his gratitude for the revival of cultural exchanges between the two countries, emphasizing the Russian Embassy’s commitment to promoting art and cultural events. He underlined that these initiatives are vital in raising awareness about Russia's vast and diverse heritage, which has much to offer the world.

Maestro Yuri Bashmet, an accomplished violinist, violist, and conductor, is a towering figure in the world of classical music. Born in 1953, he graduated from the Lviv Secondary Special Music School in 1971 and continued his studies at the prestigious Moscow Conservatory. Over his illustrious career, Bashmet has graced stages around the globe, performing with leading symphony orchestras and earning numerous awards. In 1991, he founded the Moscow Soloist Chamber Orchestra, dedicated to discovering and nurturing new musical talents.

Ambassador Ilya Rogachev addressing guests at the concert (photo: TDS)

However, the celebration of Russian culture in South Africa takes place against the backdrop of a broader global phenomenon - what some describe as a "cancel culture" against Russia. This term refers to the widespread cultural, sporting, and artistic boycotts that have targeted Russia in recent years, particularly since the escalation of geopolitical tensions. These bans have included the exclusion of Russian athletes from international competitions, the cancellation of performances by Russian artists, and the removal of Russian cultural icons from various platforms.

Critics argue that this 'cancel culture' against Russia is both hypocritical and short-sighted. Art, culture, and sport are supposed to transcend politics, serving as bridges that connect people across divides. Yet, the blanket bans on Russian cultural contributions have exposed a capricious and punitive aspect of international relations that undermines these universal values. Such actions not only deprive audiences of Russia’s rich artistic heritage, but also contradict the principles of cultural exchange and mutual respect.

Despite these challenges, Russia’s cultural diplomacy continues to find new avenues. The success of events like the Russian Seasons and the Days of Spiritual Culture of Russia reflects a renewed commitment to sharing Russia’s unique heritage with the world. Instead of retreating in the face of sanctions and boycotts, Russian artists and cultural institutions are adapting, seeking new partnerships, and exploring untapped markets.

In many ways, the restrictions have inadvertently spurred a renaissance of Russian cultural outreach, allowing the country to present its art, music, and traditions in new contexts. South Africa, with its own rich cultural history and a growing role within the BRICS community, provides an ideal stage for such a reawakening. The warm reception of Yuri Bashmet and his ensemble in Johannesburg, the standing ovations they received for their repertoire, including Tchaikovsky, is a demonstration  of the enduring appeal of Russian culture and its ability to transcend political barriers.

As Bashmet’s music filled the Linder Auditorium, it served as a powerful reminder that culture, at its best, defies the limitations of politics. Through the universal language of art, Russia continues to engage with the world, proving that while cancel culture may attempt to silence, it cannot diminish the enduring spirit and creativity of a nation.